This post is part of a blog series connected to Preservation Long Island’s Jupiter Hammon Project, a multi-year initiative launched in 2020 to reevaluate how Preservation Long Island engages visitors at Joseph Lloyd Manor (completed 1767) with the site’s history of enslavement and the story of Jupiter Hammon, one of the earliest published African American writers. 

The frontispiece to Wheatley’s Poems on Various Subjects includes a portrait of her that enslaved artist Scipio Moorehead engraved during her visit to London. Courtesy, Massachusetts Historical Society.

Jupiter Hammon (1711–ca. 1806) was one of two enslaved writers in North America to publish works during the eighteenth century. The other was Phillis Wheatley (ca.1753–1784). During her short life, Wheatley gained international renown for her intelligence and skill with a quill pen. At just twelve or thirteen, she published her first poem. It appeared in the Newport Mercury in December of 1767, seven years after the publication of Hammon’s earliest known piece, An Evening Thought. Hammon’s and Wheatley’s extraordinary literary achievements offer exceptionally rare perspectives on the spiritual, social, and political worlds of Revolutionary America and the complexities of race and enslavement in the young United States. Both were evangelical writers whose poetry and prose reflected their deep Christian faiths and contributed to larger discussions about liberty and slavery on both sides of the Atlantic.

This folding mahogany table, made in the Boston area by cabinetmaker Benjamin Frothingham, Jr. around 1760, may have been used by Phillis Wheatley as a writing desk. Following her death in 1784, her possessions, including this table, were sold at auction to pay her debts. Courtesy, Massachusetts Historical Society.

While Hammon was born into slavery on Long Island, Wheatley was born in the Senegambia region of West Africa, kidnapped into slavery, and forced to endure the Middle Passage. She arrived in Boston on July 11, 1761 and was one of the 75 out of 96 captive Africans that survived the treacherous journey. John Wheatley (1703–1778), a Boston merchant and tailor, purchased the seven- or eight-year-old child to serve as an enslaved domestic laborer for his wife, Susanna. They named her “Phillis” after the slave ship that forcibly removed her from her homeland. Although Phillis spoke no English, the family quickly recognized her intelligence and taught her to read and write, providing her with a classical education that went beyond what most White women of her time received.

At nineteen or twenty, Phillis Wheatley released a collected volume of poetry, the first book by a Black American poet. Published in London in 1773, Wheatley’s Poems on Various Subjects, Religious and Moral demonstrated her devout Christian beliefs and philosophical interests while addressing political issues of the day, from the repeal of the Stamp Act to slavery. Shortly after its publication, Phillis gained her freedom. Five years later, Jupiter Hammon sat down to compose a friendly response to Wheatley’s work. He was nearly 67 years old and writing from exile in Hartford, Connecticut. Two years had passed since he and Joseph Lloyd (1716–1780) fled the Manor of Queens Village as the British marched into town following American defeat at the Battle of Long Island.

Battle of Long Island, by Alonzo Chappel (1828–1887), 1858. Oil on canvas. Brooklyn Historical Society, M1986.29.1.

In his “Address to Miss Phillis Wheatley,” Hammon writes to the famous young poet in verse, celebrating their shared African heritage and instruction in Christianity. His words echo Wheatley’s own poem, “On Being Brought from Africa to America.” Hammon writes: “God’s tender mercy brought thee here;/ Tost o’er the raging main;/ In Christian faith thou hast a share,/ Worth all the gold of Spain.” More than four decades Wheatley’s senior, Hammon acts as a mentor and gently argues against her preoccupation with material matters over spiritual salvation. It is unknown if Wheatley ever responded to the elder poet. Despite the religious overtones of Hammon’s works, he too commented on the historic events unfolding around him.

Jupiter Hammon’s “An Address to Miss Phillis Wheatley, Ethiopian Poetess in Boston, who came from Africa at eight years of age, and soon became acquainted with the gospel of Jesus Christ,” printed in Hartford in 1778. Courtesy, Connecticut Historical Society, Museum, & Library.

Jupiter Hammon was critical of chattel slavery and the American Revolution. Twice he would have to flee invading British forces, first on Long Island in 1776, and then again in 1779 as English troops brought death and destruction to the city of New Haven, Connecticut. The following year, Joseph Lloyd, Hammon’s enslaver and a supporter of the Revolutionary War, took his own life after the major British victory at the Siege of Charleston. Hammon’s 1778 poem, “A Dialogue, Entitled, The Kind Master and the Dutiful Servant,” directly references the ongoing war, expressing a desire to see its end, and through imagined dialogue between a “master” and a “servant,” his complex feelings about the relationship between God, humanity, and slavery.

Phillis Wheatley did not share Hammon’s views about war. Despite the Loyalist leanings of her former enslavers, she supported independence and hoped that the rhetoric of freedom espoused by the Patriotic cause would lead to demise of slavery in America. In 1775, she pledged her allegiance to the war effort in a letter and poem to George Washington. The general was so moved by Wheatley’s “poetical talents,” that he published the poem on her behalf and invited her to visit him in Cambridge.

Over the course of her life, Phillis Wheatley authored at least 57 pieces of poetry, 46 of which she lived to see published. Her works collected praise from the likes of George Washington, Benjamin Franklin, Voltaire, and even King George III. Wheatly died a free woman in 1784 at just 31 years old, likely due to complications from childbirth. She had been married to a free man named John Peters, but the couple struggled with extreme poverty. For free Blacks in early America, jobs were hard to come by and the pay was often not enough to live on. Before Wheatley passed away, she attempted to publish a second book, but was never able to secure the financial support. John Peters was probably the last person to see the manuscript.

Pioneers in American literature, Jupiter Hammon and Phillis Wheatley laid the foundations for Black intellectualism in America. Their literary accomplishments are extraordinary in the face of a racist colonial society that widely embraced white-supremacist views about the intellectual inferiority of Africans. With his address to the “Ethiopian Poetess,” Hammon engaged a fellow “genius in bondage” in a philosophical exchange of ideas that was unprecedented in eighteenth-century America. As war broke out in the colonies and debates about freedom reverberated across the Atlantic, Hammon’s and Wheatly’s insightful words critically deepen our understanding of American liberty and freedom and the turbulent historical moment in which they both lived and survived.

By Lauren Brincat, Curator, Preservation Long Island

 

Explore the people and places of Jupiter Hammon’s world with our interactive story map:

 

Sources and Further Reading/Listening 

Carretta, Vincent. Phillis Wheatley: Biography of a Genius in Bondage. Athens: University of Georgia Press, 2014.

Frey, Holly and Tracey V. Wilson. “Phillis Wheatley.” Stuff You Missed in History Class. March 5, 2018. https://www.iheart.com/podcast/stuff-you-missed-in-history-cl-21124503/episode/phillis-wheatley-30207442/

Gates, Henry Louis, Jr. “Phillis Wheatley on Trial.” The New Yorker, January 20, 2003.

Guruswamy, Rosemary Fithian. “Thou Hast the Holy Word: Jupiter Hammon’s “Regards” to Phillis Wheatley,” in Carretta, Vincent and Phillip Gould, ed., Genius in Bondage: Literature of the Early Black Atlantic. Lexington, KY: University Press of Kentucky Press, 2001, 190-198: https://www.jstor.org/stable/j.ctt130jq8v.14

May, Cedrick. Evangelism and Resistance in the Black Atlantic, 1760-1835. Athens, GA: University of Georgia Press, 2008.

May, Cedrick, ed. The Collected Works of Jupiter Hammon: Poems and Essays. Knoxville, TN: University of Tennessee Press, 2017.